Graduation Project
Four Walls
A wall to the east to catch the new sun through the jagged peaks. Thick plaster and deep windows to bathe in the light and suck it in. A wall to the north to hold the mountain and grasp the
Four Walls
A wall to the east to catch the new sun through the jagged peaks. Thick plaster and deep windows to bathe in the light and suck it in. A wall to the north to hold the mountain and grasp the
Reveries or on designing with words
To dream a world of words and words that are worlds. To play with memory and feelings, the mind’s hand searching, feeling, grasping; scraping. To weave like a spider with threads of thoughts and colours spanning textures over scales, things
Reveries or on designing with words
To dream a world of words and words that are worlds. To play with memory and feelings, the mind’s hand searching, feeling, grasping; scraping. To weave like a spider with threads of thoughts and colours spanning textures over scales, things
Lighthouse, A house with a beacon
Long before satellite navigation, GPS and sonar techniques, our brave sailors relied on a network of light signals, warning them for shallow waters, unexpected cliffs or harbour entries. The duty of maintaining and keeping up these light sources was a
Lighthouse, A house with a beacon
Long before satellite navigation, GPS and sonar techniques, our brave sailors relied on a network of light signals, warning them for shallow waters, unexpected cliffs or harbour entries. The duty of maintaining and keeping up these light sources was a
It Had Something to do With the Telling of Time
I am no longer sitting in the living room. I am in a place I have been, but never tread. Under covers, between pages, within letters and punctuations marks you find spaces lingering between fiction and reality. The
It Had Something to do With the Telling of Time
I am no longer sitting in the living room. I am in a place I have been, but never tread. Under covers, between pages, within letters and punctuations marks you find spaces lingering between fiction and reality. The
Literary approach in architecture, by Laura Theng
“The same, endlessly in all directions continuing space full of stairs, bridges, arches, galleries, deep shadows without light sources, all filled with the same motionless air. “The Discovery of Heaven – Harry Mulisch When reading a book you would sometimes
Literary approach in architecture, by Laura Theng
“The same, endlessly in all directions continuing space full of stairs, bridges, arches, galleries, deep shadows without light sources, all filled with the same motionless air. “The Discovery of Heaven – Harry Mulisch When reading a book you would sometimes
Invisible Amsterdam, by Mark Proosten
‘Invisible Amsterdam’ is the title of my master thesis, a work that was part of a master’s atelier called ‘De rede van Amsterdam’ given at the Technical University of Eindhoven. A group-based research towards the relationship between the city of Amsterdam and its water,
Invisible Amsterdam, by Mark Proosten
‘Invisible Amsterdam’ is the title of my master thesis, a work that was part of a master’s atelier called ‘De rede van Amsterdam’ given at the Technical University of Eindhoven. A group-based research towards the relationship between the city of Amsterdam and its water,
The ‘Koopgoot’, by Mike Schäfer
The ‘Koopgoot’ (Rotterdam, NL) is part of a triptych of which each project explores the possibilities of literary methods in architectural design on different scales and with different methods. The other project are the ‘Binkckhorst’ (The Hague, NL) and ‘Terborg’
The ‘Koopgoot’, by Mike Schäfer
The ‘Koopgoot’ (Rotterdam, NL) is part of a triptych of which each project explores the possibilities of literary methods in architectural design on different scales and with different methods. The other project are the ‘Binkckhorst’ (The Hague, NL) and ‘Terborg’
Mare, by Laurien Korst
Mare by Laurien Korst / 24 October 2014 / Conference Projects The city is a field of narratives. Like in a narrative, the city exists through movement; the unfolding of events. Related ephemeral themes as transience and temporality are not
Mare, by Laurien Korst
Mare by Laurien Korst / 24 October 2014 / Conference Projects The city is a field of narratives. Like in a narrative, the city exists through movement; the unfolding of events. Related ephemeral themes as transience and temporality are not