all things detailed

still, silent the train window frames an endless sequence of woods and slopes that would seem desolate were it not for the neatness and care that can be seen in all things detailed by rough yet tender hands root-like doorknobs

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all things detailed

still, silent the train window frames an endless sequence of woods and slopes that would seem desolate were it not for the neatness and care that can be seen in all things detailed by rough yet tender hands root-like doorknobs

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Writingplace journal #3 in preparation

The journal issue Reading and Responding: Transversal Writing focuses on the complex process of writing itself, and in particular on the question of reading and reviewing works in progress. It aims to offer an insight into the production of architectural

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Writingplace journal #3 in preparation

The journal issue Reading and Responding: Transversal Writing focuses on the complex process of writing itself, and in particular on the question of reading and reviewing works in progress. It aims to offer an insight into the production of architectural

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thieves

this is our stretch gingerly chosen it works for each all and what we do Gancho’s kids run the margin ‘tween walkway and bus lane snatch a purse phone necklace dash snake get lost in traffic turn their shirts around

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thieves

this is our stretch gingerly chosen it works for each all and what we do Gancho’s kids run the margin ‘tween walkway and bus lane snatch a purse phone necklace dash snake get lost in traffic turn their shirts around

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From edge to edge of

Falling in love with walls, gates, steep streets as a mild compen- sation for caressing your sheets of paper.  

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From edge to edge of

Falling in love with walls, gates, steep streets as a mild compen- sation for caressing your sheets of paper.  

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Sand and Stone

how far I was from writing when I traveled in landscapes of dust

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Sand and Stone

how far I was from writing when I traveled in landscapes of dust

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CFP: (Un)Fair Cities. Equity, Ideology and Utopia in Urban Texts

We received the following call for papers: Association for Literary Urban Studies / Ralahine Centre for Utopian Studies (Un)Fair Cities. Equity, Ideology and Utopia in Urban Texts University of Limerick, 12-13 December 2019 We invite sessions and individual papers on

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CFP: (Un)Fair Cities. Equity, Ideology and Utopia in Urban Texts

We received the following call for papers: Association for Literary Urban Studies / Ralahine Centre for Utopian Studies (Un)Fair Cities. Equity, Ideology and Utopia in Urban Texts University of Limerick, 12-13 December 2019 We invite sessions and individual papers on

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Transfiguration of Suffering

(Why is Saint Sophia a woman?)   In our bags, on our shoulders, we carry towers of feelings, silenced, embedded in wild and meek lines, drawn, entwined, cried out, overflown. No one sees how the column is growing up from

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Transfiguration of Suffering

(Why is Saint Sophia a woman?)   In our bags, on our shoulders, we carry towers of feelings, silenced, embedded in wild and meek lines, drawn, entwined, cried out, overflown. No one sees how the column is growing up from

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Call for Papers: Phenomenographies

We received the following call for papers: “Phenomenographies. Describing urban and architectural atmospheres” of the Ambiances Journal The topics involve: Methods of description: phenomenographies across disciplines Bridging the gap between qualitative and quantitative accounts Atmospheric images: visualizing lived space From

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Call for Papers: Phenomenographies

We received the following call for papers: “Phenomenographies. Describing urban and architectural atmospheres” of the Ambiances Journal The topics involve: Methods of description: phenomenographies across disciplines Bridging the gap between qualitative and quantitative accounts Atmospheric images: visualizing lived space From

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Venice Biennale

Venice Biennale The city is floating: ever more dense more and more people are entering.  The city shivers. The city is floating but we come to see  as we cross, not the inner city. To the outskirts we flee Everyone

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Venice Biennale

Venice Biennale The city is floating: ever more dense more and more people are entering.  The city shivers. The city is floating but we come to see  as we cross, not the inner city. To the outskirts we flee Everyone

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COST network Writing Urban Places

We are happy to announce that a European network grant (EU COST Action) has been awarded to our proposal Writing Urban Places. New Narratives of the European City.

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COST network Writing Urban Places

We are happy to announce that a European network grant (EU COST Action) has been awarded to our proposal Writing Urban Places. New Narratives of the European City.

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